The WordTemple Poetry Series takes place at the
Sebastopol Center for the Arts
282 S. High Street, Sebastopol, CA. All events are free.
COMING TO WORDTEMPLE IN 2017:
Saturday, September 23, 2017 7:00 p.m.
Book Release Party: Know Me Here — An Anthology of Poetry by Women
Know Me Here — An Anthology of Poetry by Women will be celebrated with many of the poets included in the book. Poets in Know Me Here are:
Devreaux Baker, Ellen Bass, Elizabeth Bradfield, Janine Canan, Maxine Chernoff, Susan Cohen, Elizabeth J. Coleman, Gillian Conoley, Lucille Lang Day, Sharon Doubiago, Susan Kelly-DeWitt, Camille T. Dungy, Iris Jamahl Dunkle, Sandy Eastoak, Terry Ehret, Annie Finch, Molly Fisk, Miriam Bird Greenberg, Judy Halebsky, Elizabeth Herron, Brenda Hillman, Jane Hirshfield, Jodi Hottel, Maya Khosla, Lynn Knight, Danusha Lamèris, Kathleen Lynch, Mary Mackey Colleen McElroy, Jane Mead, Toni Mirosevich, Rusty Morrison, Gwynn O’Gara, Connie Post, Kim Shuck, Hannah Stein, Melissa Stein, Jennifer K. Sweeney, Julia Vose, Laura Walker, Gillian Wegener, Arisa White, Toni Wilkes, Leonore Wilson, Kathleen Winter and Pui Ying Wong.
Come celebrate women’s voices, women’s poetry, and enjoy some refreshments while you’re here.
Saturday, October 21, 2017 7:00 p.m.
SHARON DOUBIAGO ROSA LANE PHYLLIS MESHULAM
(More information coming soon)
Saturday, April 15, 2017 7:00 p.m.
GILLIAN WEGENER ERIN RODONI TERRY EHRET
Gillian Wegener returns to WordTemple to celebrate her latest collection, In This Sweet Haphazard.
“In This Sweet Haphazard, Gillian Wegener turns her well-tuned ear, her sharp eye, and her considerable intelligence and humor to the California of lightning fires, bulldozed almond trees, and murky rivers with unpredictable currents, as well as that of clear desert night skies, foggy coastlines, and the green light that filters through the sequoias. She sees the beauty and melancholy all around her, and she approaches it with tenderness and without aesthetic pretension. This is a beautiful book of powerful poems.” —Jane Mead, author of World of Made and Unmade“ ‘
“‘Place, to the writer at work, is seen in a frame,’ writes Eudora Welty. ‘Not an empty frame, a brimming one.’ Everything is brimming in Gillian Wegener’s fantastic new collection of poems: rivers, bees, the Old Mill Cafe, forest fires, churches, Neville Bros. Service, the ghosts of Humboldt County, the streets, shops, and citizens of Modesto, California, and most importantly, the unmapped geography of the human heart. Candid and creative, Wegener charts past and present, interior and exterior, in order to create a poetic landscape we never want to leave.” —Dean Rader, author of Works & Days
Erin Rodoni celebrates her first full-length collection, Body, in Good Light. “I walk toward you/barefoot,” writes Erin Rodoni, a poet who can speak with ease of private elegies and public journeys, of childbirth and of changing trains in Krakow, of grief on losing a loved one to cancer and of “borrowed countries/where bougainvillea scales balconies//like a romance language.” Here is a book that journeys out into the world, and also inward, into the mysteries of private life of the body where “bliss, like a memory, can be unearthed by scent.”…This is a marvelous debut. — Ilya Kaminsky
Opening poet TERRY EHRET is the author of four collections of poetry, most recently Night Sky Journey. Co-founder of Sixteen Rivers Press, Ehret served as poet laureate of Sonoma County from 2004 — 2006. Her poetry, essays, stories and reviews have appeared in numerous magazines and anthologies, and her poems have won several literary awards including the National Poetry Series, California Commonwealth Club Book Award, Nimrod/Hardman Pablo Neruda Poetry Prize, and four Pushcart Prize nominations. When she is not writing her own poems, Ehret teaches writing and leads literary travel excursions to Ireland.
Saturday, March 18, 2017 7:00 p.m.
GERALD FLEMING CAROLYN MILLER VILMA GINZBERG
Carolyn Miller celebrates her new collection from Terrapin Books, Route 66 and Its Sorrows. “Could time end?” asks a poem in this book. Here, time is the engine of desire and the vehicle of memory and dreams; the past is not past, and the present is stunningly alive. Take a journey starting on Route 66, wind through Southern Missouri to the California coast and back again. Lightning bugs, whipppoorwills, dolphins, whales all inhabit these poems, as does the high song of a man calling hogs to the rumble of a cable car.
“Carolyn Miller is a lyric poet of redeeming grace and intense clarity. Her poems are grounded in a sense of the marvelous, as if viewing life through a jewel, transforming the dark world of memory and desire into a luminous presence. She is a master of distilled moments. The mood of the poems in Route 66 and Its Sorrows is both elegiac and celebratory. For her, ‘what matters/is the songs we teach ourselves/to sing, however bitter, however ragged.’
— Joseph Stroud
Carolyn Miller grew up in the Missouri Ozarks, where she was baptized in the Roubidoux River at the age of eight. Today, she lives in a Romeo and Juliet flat on the Hyde Street cable-car line in San Francisco where she writes, paints, and works as a freelance writer/editor. Her books of poetry include After Cocteau and Light, Moving. She is also the author of four limited-edition letter-press chapbooks. Her honors include the James Boatwright Award for Poetry from Shenandoah and the Rainmaker Award from Zone 3.
Gerald Fleming returns to WordTemple with his new book from Hanging Loose Press, One. Would you like to hear a master of prose poems? Then get here! As Frederick Barthelme says, Fleming is “remarkable.” This new collection “takes on the monosyllable and wrestles it into dizzying and wonderful pretzel-esque works…” Can you write an entire prose poem using single syllable words? He can, and successfully so.
“At times wry and wickedly self-aware, these linked prose vignettes deepen into a resonant, searching meditation on that which resides hidden…metastatic cells, racism we’ve spent half our years unlearning…Fleming’s voice is rich with a plainspoken elegance that evokes flickers of Ovid…or the quieted mind of a Gerard Manley Hopkins who’s made peace with his goad and is engage in the contemplative practice of ordinary life.” — Miriam Bird Greenberg
Fleming is the author of The Choreographer and Night of Pure Breathing. From 1995 — 2000 he edited and published the literary magazine Barnabe Mountain Review, and is currently editing both the limited-edition vitreous magazine One (More) Glass and The Collected Prose and Poetry of Lawrence Fixel. He has written three books for teachers, including Rain, Steam, and Speed (Jossey—Bass/Wiley). He lives in Paris and Marin County, CA.
Opening poet: Vilma Ginzberg is Healdsburg Literary Laureate Emerita (2008 — 2010) and the author of five collections of poetry including making noise (2013); I Don’t Know How to Do This, poems on aging (2011); Snake Pit (2010); Murmurs & Outcries (2007); and Colors of Glass (2004). Her work as appeared in a number of anthologies, the most recent of which is World of Change (2015). Ginsberg draws from a deep well of experience to create work that goes directly to the heart.
Saturday, February 18, 2017 7:00 p.m.
JOHN SHOPTAW DEVORAH MAJOR BILL VARTNAW
John Shoptaw was raied in the drained Mississippi River floodplain of the Missouri Bootheel, where he picked cotton, was baptized in a drainage ditch and worked in a lumber mill. He is the author of Times Beach, winner of the 2015 Notre Dame Book Prize and the 2016 Northern California Book Award in Poetry, poems from which appeared in The New Yorker, Colorado Review, and elsewhere. He has also published a critical study, On the outside looking out: John Ashbery’s Poetry (Harvard UP 1996), and a libretto on Lincoln’s assassination for an opera by Eric Sawyer, Our American Cousin (BMOP Sound, 2008). He teaches poetry writing, ecopoetry, and Emily Dickinson in the English Department of the University of California at Berkeley. His essay “Why Ecopoetry?” was published in Poetry (September 2016).
“Times Beach is, like most interesting American books, an original. It’s about a place, the watershed of the Mississippi River, and it is an ecopoetrics. Best, perhaps, to think of it as a hybrid of Hart Crane, the depression photographs of Dorothea Lange, and a nineteenth-centruy lantern show — they called them ‘panoramas — of the human and environmental history of our mightiest river system. It comes from a deep sense of the rhythms and dialect of a place and from a deeply literary and inventive imagination.” — Robert Hass, United State poet laureate emeritus
devorah major celebrates her fifth collection of poetry, and then we became (City Lights, 2016). A California born, San Francisco raised, granddaughter of immigrants, documented and undocumented, major served as San Francisco’s Third Poet Laureate (2002-2006). She has two novels published, Brown Glass Windows and An Open Weave. In addition to her five poetry books and four poetry chapbooks, she has had two biographies for young adults, and a host of short stories, essays, and individual poems published in anthologies and periodicals. Among her awards is a First Novelist award from the Black caucaus of the ALA for An Open Weave and a PEN Oakland Josephine Miles Literary Award for her poetry book street smarts. In June 2015 major premiered her poetry play “Classic Black: Voices of 19th Century African-Americans in San Francisco” at the San Francisco International Arts Festival. She has performed her work nationally and internationally including Venezuela, Jamaica, Italy, Belgium, Bosnia, England, Wales, Germany and France with and without musicians. Her passion for writing and performing her work is almost equaled by her delight in teaching poetry to people of all ages from young readers to seasoned elders.
“The local, the global, the personal, the political, the intimate and the infinite all intersect and reflect one another in the mirrored imagery of devorah major’s poetry.” — All Young
Opening poet: Bill Vartnaw, Sonoma County poet laureate emeritus, publisher of Taurean Horn Press and author of several collections of poetry. More information coming soon!
ANNOUNCING THE 2016 SEASON:
Saturday, October 22, 2016 7:00 p.m.
From France to Tibet — A Special Evening at WordTemple
TSERING WANGMO DHOMPA
and DAN BELLM with the poetry of PIERRE REVERDY
Opening poet: GWYNN O’GARA
Tsering Wangmo Dhompa reads from her new memoir, Coming Home to Tibet — A Memoir of Love, Loss, and Belonging. On New Year’s Day, Dhompa’s mother was killed in a car accident along a highway in India. A Tibetan forced from her country during the Chinese invasion and a longtime refugee, Dhompa’s mother had longed for many years to return to her homeland. “When this is over,” she would say, referring to the ongoing political conflict and dangers, “we can go home.” Dhompa’s mother never got that chance. To honor her mother’s wish to return home, Dhompa embarks on a journey across the globe to her mother’s nomadic village in East Tibet, traveling with a handful of her mother’s ashes. Arriving there she realizes that her mother had been preparing her for this homecoming her whole life. Coming Home to Tibet is a daughter’s tribute and poetic memoir to a mother and a homeland, and a story of love, family, refuge and dreams.
Dhompa is the first Tibetan female poet to be published in English. Her other books include Rules of the House; In the Absent Everyday; and My rice tastes like the lake.
Also, Dan Bellm celebrates his new translation The Song of the Dead by Pierre Revardy. Never before translated into English, The Song of the Dead (Le chant des morts) was written in the final days of World War II in northern France, where Reverdy was a partisan in the Resistance movement. Reverdy’s sure command of image creates a poetic sequence of strange eloquence and grandeur, refraining from documentary or narrative in favor of revealing troubled states of soul. The Song of the Dead was first published in 1948, in a handwritten edition with 125 color lithographs by Pablo Picasso.
Pierre Reverdy was born in Narbonne, France, in 1889, and came to Paris in 1910, where he founded the groundbreaking, highly influential journal Nord-Sud in 1917 with Max Jacob and Guillaume Apollinaire, publishing those poets as well as the early work of André Breton, Tristan Tzara, Louis Aragon, Philippe Soupault, Vicente Huidobro, and Jean Cocteau. He also became closely associated with Pablo Picasso, Henri Matisse, Georges Braque, and Juan Gris, each of whom later illustrated one or more of his books. André Breton, in his first Surrealist Manifesto, hailed Reverdy as “the greatest poet of the time.” Yet after living at the center of French poetry and culture for some fifteen years, Reverdy withdrew from it almost completely, converting to Catholicism in 1926 and leaving Paris with his wife, Henriette, for Solesmes, a village near the Belgian border best known for its Benedictine abbey. During the German occupation of France of World War II, he served as a partisan in the resistance movement. Except for intermittent visits to Paris, Reverdy continued to write and to live what he called a “quasi-monastic life” in Solesmes until his death in 1960.
Dan Bellm, a poet and translator living in Berkeley, California, received a translation fellowship from the National Endowment for the Arts for his work on The Song of the Dead. He teaches literary translation and poetry in the MFA in Creative Writing Program at Antioch University Los Angeles. Recent and forthcoming books of poetry in translation include Description of a Flash of Cobalt Blue by Mexican poet Jorge Esquinca (Unicorn Press, 2015) and Speaking in Song by Mexican poet Pura López Colomé (Shearsman Books, UK, 2017). He has also published three books of poetry, most recently Practice (Sixteen Rivers Press), winner of a 2009 California Book Award.
Opening poet Gwynn O’Gara served as Sonoma County Poet Laureate from 2010 through 2011. She taught with California Poets in the Schools for twenty-six years and recites ecstatic poetry with Rumi’s Caravan. Her poems have appeared in Spoon River Poetry Review, Calyx, The Evansville Review, and the Beatitude Silver and Golden Anniversary Anthologies. Her books include Snake Woman Poems and the chapbooks Fixer-Upper from d-press and Winter at Green Haven published by WordTemple Press. Tonight she’ll also be reading from her latest chapbook, Sea Cradles, published in collaboration with the Occidental Center for the Arts Gallery.
Saturday, September 24, 2016 7:00 p.m.
BOOK RELEASE PARTY! Come for the poetry, stay for cake and wine!
KATHERINE HASTINGS. LEE SLONIMSKY. SANDRA ANFANG.
Lee Slonimsky’s new collection is Consulting With the Swifts — New and Selected Poems, 1982 — 2016. Many Sonoma County residents have been treated to his previous collections, including Pythagoras in Love (now translated into a French edition by Elizabeth Coleman); Talk Between Leaf and Skin; Money and Light; Red-Tailed Hawk on Wall Street; Logician of the Wind and Wandering Electron. Lee is also the author of a mystery, Bermuda Gold.
Visiting from New York’s Hudson Valley, Slonimsky is co-author with his wife, Carol Goodman, of an urban fantasy trilogy starting with the riveting Black Swan Rising. His poems have appeared in numerous places, including The New York Times; Best of Asheville Poetry Review and The Carolina Quarterly, and have been nominated for a Pushcart Prize seven times. When he’s not walking and writing poems in the process, Slonimsky is the manager of a hedge fund, Ocean Partners, LP, and of its humane/vegan side pocket, Green Hills Partners LP.
“The best poems here, and they are many, all reclaim a moment from the clamor of the world; and each such poem in turn presents the attentive reader with a like moment of refuge…Like Monet with his haystacks or cathedrals, Slonimsky achieves repetition and variation without monotony…The poems invite us to focus, to traingulate, to seek out correspondences. Writing these poems helped Slonimsky to do these things; reading them helps us.” — Rachel Hadas
Sonoma County poet laureate emerita, radio host of WordTemple on NPR affiliate KRCB FM, and founder and host of the WordTemple Poetry Series, Katherine Hastings celebrates her third collection of poetry, Shakespeare & Stein Walk Into a Bar (Spuyten Duyvil, NYC, August 2016). Previous books include Cloud Fire; and Nighthawks.
Shakespeare and Stein Walk into a Bar is animated by the two most rewarding and replenishing of poetic forces: dexterous formal diversity and a fierce, unflinching searching. “Where to go from here?” the book begins, lifting us through “the world we’ve left to ourselves” and singing us at last to the still point where “We, too, dissolve” with “all of it finding its way — somewhere.” Shakespeare and Stein Walk into a Bar is more than a collection of poems; it is a quest fulfilled by destination. —Malachi Black
Katherine Hastings’ poems play with consciousness on many levels. Nature, literature, and human experience catch memorably within the threads of their dense and startling webs.
Dear William Shakespeare, an heiress has appeared! Historians can’t trace the Bard’s descendants too far after his daughters, but a Shakespearean sonneteer has mysteriously reappeared in the form of Katherine Hastings and her wildly compelling sonnets. What eloquence! What originality! And what poems for the ages!” —Lee Slonimsky
Whether she is exploring memory or embracing loss or love, Katherine Hastings so fully inhabits these poems that the reader is allowed to surrender to her deft use of language and embark on a journey of the soul, filled with a radiance of spirit that transcends the everyday routines of life, “..last night in moonlight, long fingers/of trees signed their language/the way deaf women sing…”, and “There is nowhere to go/but here on a corner with the unblessed/supplementing Social Security,/our shadows merged on hard pavement…” Finally, these are poems that offer a luminous stillness, mysterious yes, but filled with exquisitely articulated moments that are pitch-perfect. —Devreaux Baker
Opening Poet Sandra Angang is a prize-winning teacher, poet and visual artist. Author of four self-published poetry collections and several chapbooks, her most recent collection is a chapbook from Finishing Line Press, Looking Glass Heart. Her poems have appeared in many journals including Poetalk; West Trestle Review; and Spillway, among others. Sandra is a California Poet/Teacher in the schools and the founder and host of the monthly poetry series, Rivertown Poets, in Petaluma, CA.
Saturday, May, 21, 2016 7:00 p.m.
Ada Limòn . Greg Mahrer . Julia Vose
Ada Limón is the author of four books of poetry, including Bright Dead Things, which was named a finalist for the 2015 National Book Award in Poetry and one of the Top Ten Poetry Books of the Year by The New York Times. Her other books include Lucky Wreck, This Big Fake World, and Sharks in the Rivers. She serves on the faculty of Queens University of Charlotte Low Residency M.F.A program, and the 24Pearl Street online program for the Provincetown Fine Arts Work Center. She also works as a freelance writer splitting her time between Lexington, Kentucky and Sonoma, California.
“The lyrical genius of these poems sings to us of the perennial theme of home and our primordial ache of belonging. Ada Limòn captures all the nuances that these colossal words call to mind with the gorgeous voice of her diction, and the timbre of her images. Both soft and tender, enormous and resounding, her poetic gestures entrance and transfix.”
— Richard Blanco, 2013 Presidential Inaugural Poet
Sonoma County poet Gregory Mahrer is celebrating his first collection, A Provisional Map of the Lost Continent (Fordham University Press), winner of the Poets Out Loud prize. His work has been published in The New England Review, The Indiana Review, Green Mountains Review, Volt, Colorado Review, Haden’s Ferry Review and elsewhere, as well as the web sites Poetry Daily and Verse Daily. Several of his poems have been nominated for Pushcart Prizes. In 2014 one of those poems, “Refrain,” received a Pushcart Special Mention. WordTemple is very pleased to host the Sonoma County release of this fine book. Come support your local poet!
“Let me say quite simply that Gregory Mahrer is the most dazzling poetic cartographer since Italo Calvino and Raymond Roussel, and Mahrer’s exquisite explorations of the imagination carry with them the same remarkable riches and glorious thirsts that we find in those great writers. Conceptually brilliant and relentlessly inventive, Greg Mahrer teaches us the many ways every map is made of language, and that geology, geography, and history must all be understood as deeply human psalms. In this astonishing new collection, there is only one direction left to the poet— beyond the page’s horizon.” — David St. John
Sonoma County poet Julia Vose will open the evening. Author of Moved Out on the Inside (The Figures Press), Vose is the winner of an Academy of American Poet’s Prize. Her poems have appeared in Deep Down (Farrar Strauss and Giroux); This is Women’s Work (Panjandrm); Changing Harm to Harmony: Bullies & Bystanders Project (Joseph Zaccardi, editor); Digging Our Poetic Roots — Poems from Sonoma County (Katherine Hastings, editor); American Poetry Review; and Marin Poetry Center anthologies. Vose has taught and/or consulted poetry writing at San Francisco State University and UC Exension, as a Writer-In_Residence at Mt. Zion Hospital in San Francisco, and with California Poets in the Schools.
Saturday, April 23, 2016 7:00 p.m.
A Special Evening of Poetry and Music with Andrew Joron and Joseph Noble
Opening Poet: Thomas Ziemer
Andrew Joron, who plays the theremin in various experimental and free-jazz ensembles, is the author of Trance Archive: New and Selected Poems (City Lights, 2010). Joron’s previous poetry collections include The Removes (Hard Press, 1999), Fathom (Black Square Editions, 2003), and The Sound Mirror (Flood Editions, 2008). The Cry at Zero, a selection of his prose poems and critical essays, was published by Counterpath Press in 2007. From the German, he has translated the Literary Essays of Marxist-Utopian philosopher Ernst Bloch (Stanford University Press, 1998) and The Perpetual Motion Machine by the proto-Dada fantasist Paul Scheerbart (Wakefield Press, 2011). Joron teaches creative writing at San Francisco State University.
Joseph Noble plays flutes and saxophones in the quartets Ouroboros and Cloud Shepherd. His poetry has appeared in Hambone, OR, New American Writing, Five Fingers Review, The New Review of Literature, Eleven Eleven, and other journals. Three of his essays on the poet George Oppen have appeared in Talisman, Aufgabe, and Sagetrieb. His book of poetry, Antiphonal Airs, was published in 2013 by Skylight Press. Another book of poetry, An Ives Set, was published in 2006 by lyric& Press. His chapbook, Homage to the Gods, was published in 2012 by Berkeley Neo-Baroque.
Thomas Ziemer, a 19 year old poet from the Bay Area, has had work published in Zaum, Tuck Magazine, and the anthology Digging Our Poetic Roots — Poems from Sonoma County. He is working on finishing his first book, Division of Sound. Ziemer’s main influences are the Surrealist poets, both members and non-members of the original group. He particularly enjoys the work of Philip Lamantia, André Breton, and Federico García Lorca. He finds inspiration in his childhood, his dreams and the beauty of the natural world.
Saturday, March 26, 2016 7:00 p.m.
A special evening of poetry and music
celebrating our new California State Poet Laureate
Dana Gioia is an internationally acclaimed and award-winning poet and critic. Former Chairman of the National Endowment for the Arts, he is the author of four full-length collections of poetry, as well as eight chapbooks. The winner of several awards, he won the Aiken-Taylor Award for lifetime achievement in American Poetry in 2014.
As Chairman of the NEA, Gioia succeeded in garnering enthusiastic bi-partisan support in the United States Congress for the mission of the Arts Endowment, as well as in strengthening the national consensus in favor of public funding for the arts and arts education (Business Week Magazine referred to him as “The Man Who Saved the NEA”).
Gioia’s most recent collection, 99 Poems: New & Selected (Graywolf), was named one of the “Best poetry books” by the Washington Post in February 2016. “The collection…opens and closes with the speaker grappling with questions and forces he cannot explain. Yet even as his perspective matures and is tested, he never loses his capacity to see clearly…”
Gioia will be joined by two Sonoma County Poetry Out Loud participants reciting poems of their choice. Introduced by Phyllis Meshulam, Sonoma County’s coordinator of Poetry Out Loud, they are:
Arthur Timpe is a junior at El Molino High School His passions are listening to music, playing golf and performing in the Theater Arts Department. He hopes to become a professional golfer someday and continue his career in theater.
Sarah Condello is a sophomore at Analy High School. She is very passionate about writing, and wants to be a veterinarian when she grows up.
ALSO: DANIEL REDMAN SINGS WALT WHITMAN
For the last ten years, Daniel Redman has been composing and performing original musical settings for poems from Walt Whitman’s “Leaves of Grass.” To date, he has set seventy-five poems, including the entire “Calamus” and “Inscriptions” chapters. Redman’s work has been profiled by Lambda Literary, the Poetry Foundation, Tablet, and SF Weekly.
This is a free event. Wine and other refreshments will be served.
Saturday, February 20, 2016 7:00 p.m.
TROY JOLLIMORE. HEATHER ALTFELD. KATHLEEN WINTER.
Troy Jollimore is the author of several books of poetry. His most recent collection, The Syllabus of Errors, published by Princeton University Press, was named one of the “Best Poetry Books of 2015” by The New York Times. His first collection, Thom Thompson in Purgatory, won the National Book Critics Circle Award for poetry. Born in Liverpool, Nova Scotia, Jollimore, a Ph.D. in Philosophy, has lived in the United States since 1993 and is Professor of Philosophy at California State University Chico. He has been an External Faculty Fellow at the Stanford Humanities Center, the Stanley P. Young Fellow at Breadloaf Writers’ Conference and a Guggenheim Fellow. He has authored three books of philosophy that concern everything from ethical issues connected to personal relationships to the ethics of terrorism to the nature of happiness, and more.
Heather Altfeld will be reading from her collection, The Disappearing Theatre, winner of the 2015 Poets at Work Prize, judged by Stephen Dunn. Her poems “Blueprint for the Infinite” and “Two Pockets” won the Pablo Neruda Prize for Poetry with Nimrod International Magazine. She is a member of the Squaw Valley Community of Writers and has been a resident at the Vermont Studio Center. She lectures in English and the Honors Program at California State University Chico and at Butte Community College.
Kathleen Winter’s collection Nostalgia for the Criminal Past won the Antivenom Poetry Prize from Elixir Press, as well as the Texas Institute of Letters 2013 Bob Bush Memorial Award. Her poems have appeared widely in journals, including Tin House, AGNI, The New Republic, Poetry London and Gulf Coast. Awarded fellowships at the James Merrill House; the Dora Maar House and elsewhere, Winter was the Ralph Johnston Fellow at the Dobie Paisano Ranch, selected by the University of Texas and the Texas Institute of Letters. She teaches at Napa Valley College and lives in Glen Ellen, CA.
Mark your calendars for Saturday, March 26 at 7:00 p.m. when the WordTemple Poetry Series will celebrate the appointment of DANA GIOIA as California’s new Poet Laureate.
Saturday, January 9, 2016
JANE MEAD . IRIS JAMAHL DUNKLE . JODI HOTTEL .
Jane Mead is the author of four full-length books of poetry, most recently MONEY MONEY MONEY | WATER WATER WATER, from Alice James Books. Her poems have been published widely in anthologies and journals and she is the recipient of grants and awards from the Whiting, Guggenheim and Lannan Foundations. She has taught at many colleges and universities including Colby College, The University of Iowa and Wake Forest University. She now manages the ranch her grandfather purchased in the early 1900’s in Northern California, where she grows zinfandel and cabernet wine-grapes. She teaches in the Drew University low-residency MFA program in Poetry and Poetry in Translation.
Iris Jamahl Dunkle’s just-released collection, There’s a Ghost in this Machine of Air, is about the untold history of Sonoma County, CA. Her debut poetry collection, Gold Passage, was selected by Ross Gay to win the 2012 Trio Award and was published by Trio House Press in 2013. Her chapbooks Inheritance and The Flying Trolley were published by Finishing Line Press in 2010 and 2013. Dunkle teaches writing and literature at Napa Valley College.She received her B.A. from the George Washington University, her M.F.A. in Poetry from New York University, and her Ph.D. in American Literature from Case Western Reserve University. She is on the staff of the Napa Valley Writers conference and co-facilitates a book discussion group at Jack London State Historic Park. IRIS IS THE NEW POET LAUREATE OF SONOMA COUNTY! (2016 — 2018)
Jodi Hottel opens the evening with Through a New Lens, a chapbook of poems based on the memoirs of Frank Schueler. Born in Darmstadt, Germany in 1933, Schueler grew up during the Third Reich and was sent to a youth camp at the age of ten. He dedicates Hottel’s poems to his mother, one of several relatives killed in a bombing raid. Hottel is the author of Heart Mountain, her chapbook of poems about the Japanese internment.
DIGGING OUR POETIC ROOTS! This may not be a “WordTemple” reading, but you don’t want to miss it! Come celebrate the anthology Digging Our Poetic Roots — Poems from Sonoma County at the third and final reading (so far!):
Thursday, October 15, 2015 7:00 p.m. Healdsburg Center for the Arts
Many poets who have work in the anthology will be on hand to read.
Saturday, September 12, 2015 7:00 p.m.
Stephen Kessler with Forbidden Pleasures — New Selected Poems by Luis Cernuda. Devereaux Baker. Michelle Wing.
Stephen Kessler is a poet, prose writer, translator, and editor. He is the author of ten books and chapbooks of original poetry, sixteen books of literary translation, and three collections of essays. His most recent books (spring 2015) are Where Was I? (prose poems/memoirs), Need I Say More? (essays) and Forbidden Pleasures (new selected poems of Luis Cernuda, translation). He is also the author of a novel, The Mental Traveler, the editor and principal translator of The Sonnets by Jorge Luis Borges, and from 1999 through 2014 was the founder and editor of The Redwood Coast Review, four-time winner of the California Library Association’s PR Excellence Award. His other awards include a Lambda Literary Award and the Harold Morton Landon Translation Award from the Academy of American Poets for his previous translations of Luis Cernuda, Written in Water and Desolation of the Chimera.
Devereaux Baker will read from her latest collection, out of the bones of the earth. Previous collections include the award-winning Red Willow People; Light at the Edge; and Beyond the Circumstance of Sight.
“out of the bones of the earth is a fiery melange of longing and grief, of body scars and scars from wars leavened by dreams, the balm of the natural world, and love. Baker has the soul of a gypsy dervish, leaping and whirling from California to New Orleans to Houston to Rome to Greece to Iran and more…Baker’s is a powerful voice, a wise voice. Listen carefully.” — Pamela Uschuk
Opening Sonoma County poet Michelle Wing will read poems from her book Body on the Wall, as well as newer poems. You won’t want to miss the deeply felt work of experience and survival presented in Body on the Wall or the perfectly centered space in which they are presented. There is harm, but beyond that harm lies a whole world of abundance and love delivered word by word, line by line.
“These poems are like swallowed charcoal, purifying the toxins they’ve ingested. Brave, bracing, tender and true.” — Janet Fitch
Saturday, August 29, 2015 7:00 p.m.
DIGGING OUR POETIC ROOTS — POEMS FROM SONOMA COUNTY
Come help celebrate the release of the anthology that is the culmination of my Poet Laureate project! Many poets in the anthology will read their work. Included in the book are: Terry Ehret, Maya Khosla, Patti Trimble, Nancy Cavers Dougherty, Fran Carbonaro, Gregory W. Randall, Janine Canan, Dave Seter, George Stenger, Amy Trussell, Jodi Hottel, Lisa Shulman, Michelle Wing, David Beckman, Jane Green, Clara Rosemarda, Thomas Ziemer, Rebecca Patrascu, Carol Keig, Andrea Granahan, Susan Weinstein, Elizabeth Herron, Sandy Eastoak, Lucille Friesen, David Madgalene, Kay Webb, Patrice Warrender, Julia Vose, Hannah Maggiora, Mimi Whittaker, Gary McLaughlin, Jean Wong, Cecelia Belle, Scott Sibary, Liz Brennan, J.R. Brady, Roxanne Trujillo, Paula Koneazny, Iris Jamahl Dunkle, contributing editors Jennifer K. Sweeney, Lee Slonimsky and Patrick Cahill, and editor, Katherine Hastings.
Saturday, May 16, 2015 7:00 p.m.
MALACHI BLACK. ROBERT THOMAS. MAYA KHOSLA
Malachi Black is the author of Storm Toward Morning (Copper Canyon Press, 2014). What makes this book so interesting? This, and more: “Storm Toward Morning moves fluently between the rigors of inherited forms and the openness of free verse with an uncompromising precision. By turns tender, anguished, meditative, celebratory and defiant, Black’s poems transcribe the contours of human consciousness… “
Mark Jarman says: “To be both visionary and accurate, true to physics and metaphysics at the same time, is rare and puts the poet in some rarefied company. Black, like a few other younger poets, is willing to include all the traditional effects of the lyric poem in his work, but he has set them going in new and lively ways, with the confidence of virtuosity and a belief in the ancient pleasures of pattern and repetition…”
A recent Creative Writing Fellow in Poetry at Emory University, Black is a recipient of a Ruth Lilly Fellowship, as well as grants and awards from the Bread Loaf Writers’ Conference, the Fine Arts Work Center in Provincetown, the MacDowell Colony, the Sewanee Writers’ Conference, and others. His work was featured by Mark Jarman in the Academy of American Poets’ American Poet magazine, and his work has been set to music several times. He is Assistant Professor of English and Creative Writing at the University of San Diego.
Robert Thomas is celebrating his latest book, Bridge, a work of poetic fiction published by BOA Editions. His first book, Door to Door, was selected by Yusef Komunyakaa as winner of the Poets Out Loud Prize and published by Fordham University. His second book, Dragging the Lake, was published by Carnegie Mellon. Thomas has received a poetry fellowship from the National Endowment for the Arts and has won a Pushcart Prize.
Set in modern-day San Francisco, this obsessive work…probes the stormy life of a young woman, real and hallucinated relationships, and more. “In lyrical prose, Bridge exposes a raw, brilliant, and furious mind as it treads the jagged terrain of mental illness, murder, and suicide – to be or not to be.”
“Bridge has the lucid spacious interiority and intensity of Woolf’s Mrs. Dalloway, and a prose style hypnotic and brilliant enough to earn that comparison. Thomas’s combination of sheer lyricism and incisive edginess in each swift poetic chapter keeps the reader leaning forward to hear what our wounded, brazen narrator…is going to say next.” – Tony Hoagland
Maya Khosla is a wildlife biologist and writer. Her poems have appeared in Munyori, Poem and other journals, collected in her book Keel Bone (winner of a Dorothy Brunsman Award), nominated for Pushcart Prizes by World Literature Today, and featured in films including Village of Dust, City of Water (2007 Lion Award, Wildlife Asia Film Festival). Two awards from the Save Our Seas Foundation gave her a chance to document sea turtles of India and to work her poems into the screenwriting. Maya plans to film and write about saving rare woodpeckers of the Sierra Nevadas, with awards from Audubon Society and Patagonia.